Moore's use of harmonics and vibrato add depth to his playing. The guitar solo showcases his ability to mix speed and melody, with fast alternate picking runs and expressive bends. The song features a memorable riff and a strong vocal performance by Moore. All Your LoveĪ cover of the Otis Rush classic, "All Your Love" is played in the A minor pentatonic scale. The solo also features bluesy bends and double-stops, adding character to the track. The guitar solo includes fast alternate picking, legato runs, and chromaticism, highlighting Moore's technical prowess. The song features a catchy main riff and a driving rhythm section. This upbeat blues-rock tune is played in the G major pentatonic scale. His phrasing and dynamics throughout the solo demonstrate his mastery of the blues language. The guitar solo showcases Moore's use of string bending, vibrato, and harmonics to convey emotion. The song features a simple yet effective chord progression, creating a melancholic atmosphere. "Midnight Blues" is a slow, moody blues track played in the C minor pentatonic scale. Moore's use of double-stop bends and vibrato adds depth to his playing, making this track a standout. The chord progression is rich and complex, while the guitar solo is emotional and expressive. This soulful ballad, originally by Deadric Malone, is played in the D minor pentatonic scale. The solo is a masterclass in phrasing and melodic playing, demonstrating Moore's deep understanding of the blues genre. The song features Moore's signature vibrato and bends, as well as some tasteful use of harmonics. King is a slow blues track played in the Bb minor pentatonic scale. The interplay between Moore and Collins is a highlight of the album. The song showcases both guitarists' skills, with expressive solos that feature bends, vibrato, and double-stops. Too Tiredįeaturing Albert Collins on vocals and guitar, "Too Tired" is a slow blues tune played in the G minor pentatonic scale. The solo features fast alternate picking runs, legato, and unison bends, showcasing Moore's incredible technical skills and his ability to mix speed with emotion. The driving rhythm and aggressive guitar tone make this track a standout. "Texas Strut" is an uptempo blues-rock tune played in the A Mixolydian scale. ![]() The song is a testament to his expressive playing style and ability to convey emotion through his guitar. The emotive guitar solo is played in the C# minor pentatonic scale, featuring Moore's signature bends and vibrato. The title track is a heartfelt blues ballad, with a chord progression based on the C# minor scale. The song is a great example of Moore's ability to combine traditional blues elements with his own unique style. ![]() The main riff features a catchy, syncopated rhythm, while the solo showcases Moore's slide guitar skills. Walking By MyselfĪ cover of Jimmy Rogers' classic blues tune, "Walking By Myself" is played in the E major pentatonic scale. ![]() Moore's use of pinch harmonics adds a touch of aggression to the song. The solo is played in the E minor pentatonic scale, with expressive bends and vibrato. The song features a groovy rhythm section and a memorable vocal melody. This track is a tribute to blues legend Albert King, with a riff based on the E minor pentatonic scale. The solo showcases Moore's ability to mix speed and melody, featuring alternate picking and fast legato runs. The main riff is simple but powerful, with a strong blues-rock feel. The song is based on the A Mixolydian scale, featuring Gary's signature bending and vibrato techniques. "Moving On" is an instrumental track that opens the album with a bang. We'll also pay tribute to Gary Moore and his contribution to this classic album. In this analysis, we'll delve into the album's tracks, discussing the guitar scales used and examining the guitar solos. In this guitar lesson course, LickLibrary veteran, Jamie Humphries takes you through the many highlights of each song from the guitar legend, Gary Moore, one phrase at a time, including the tracks “Oh Pretty Woman”, “Walking By Myself” and the iconic blues ballad “Still Got the Blues”. This album showcases his exceptional guitar skills and deep understanding of blues music. ![]() After leaving his hard rock band Thin Lizzy, Moore transitioned from his previous hard rock and metal style to a more blues-oriented sound. "Still Got The Blues" is a groundbreaking blues-rock album by the legendary Irish guitarist Gary Moore, released in 1990. "Still Got The Blues" by Gary Moore: A guitarist's perspective
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